by JasonLatour » Mon Jul 07, 2003 4:13 am
I agree with you guys. I even wrote a short review of the flick for a local paper not long ago. I posted it below just in case anyone cares to read it. <br><br>"In no doubt trying to expand upon and update some of the core concepts of the classic novel 1984 and wrap them in an aesthetic action genre' which was no doubt inspired by films like THE MATRIX--- EQUILIBRIUM, written and directed by Kurt Wimmer, somehow fails to live up either of them. Bale plays Grammaton Cleric John Preston, a futuristic magistrate who polices "sense offenders" in the post WW3 future society of Libria. In this stale and anthestitic future all dangerous emotion has been eliminated by mandatorily prescribing the masses to a drug called Prozium. The thinking is that war, murder and generally everything bad are a by product of emotion, therefore emotion in all its forms --art, literature, etc. must be eliminated. "Sense offenders" or people who have still cling to the ways of old society are systematically eliminated---or in other words put to death. <br><br>Bale hands in his usual solid performance---easily believable while doubling as a man coming to grips with his first touches of human emotion and as an emotionless killing machine. Diggs, while a personal favorite, seems ill tailored for the role of Preston's new partner/rival Brandt. His personaility shines through a bit too much for my taste, given the fact that he is supposed to be a emotionless soldier. Angus McFadden turns in an even performance as Preston's superior who obviously doesn't totally practice what he preaches.Emily Watson puts forth both believable tenderness and contempt for Preston in the role of his new found infatution despite limited screen time. <br><br>While it is true that the film suffers from a bit of "Matrix-itis" it doesn't overtly copy the film. The movie lies heavily on the "cool factor" of a new fighting style dubbed "gunkata"---a sort of gun fu---what while visually stunning at times lends an almost unneccessarily B movie type action to a film which is for the most part rather serious in tone. The result is an uneven film which as amazingly well thought out scenes depicting Preston's coming to grips with his new found emotions yet is cartoonishly contrasted by "one man army" like fight scenes. Perhaps what makes something like the "gunkata" more of a stretch to the imagination than say the wire-fu acrobatics of the Matrix is that we are led to believe that the battles take place in the "real world" and not within the confines of a computer program who's rules are meant to be broken. The sets, though purposely bland and aesthetic, are however somewhat uninspired and cliche' (honestly how many times have we seen black helmets, leather, machine guns and motorcycles on our futuristic police forces by now) but the film itself is impressively shot with effects and cgi skylines that betray an obviously lower budget than your average sci-fi studio flick. But perhaps the most glaring problems are the leaps logic and plot holes/character inconsistencies. For example Taye Diggs' Brandt is constantly cracks smiles and brags about using Preston downfall to advance his career--- obviously is a sign of ambition--which is driven largely by such emotions as greed,self betterment, self fufilment. Not what you would expect from a emotionless cleric. And while its seems that most of societies long standing rituals of love and emotion are now non-existent----strangely marriage still exists. It would seem that this all knowing emotionless government would have better sense than to allow men and women to co-habitate--risking the chances that love or raw sexual attraction might overcome their wonder drug. In fact so many characters seem to be influenced by emotion or things that are by products of emotion that it exposes the core concept as perhaps just another vehicle for an action film. <br><br>The better aspects of EQUILIBRIUM are most assuredly the character moments. Despite any flaws with concept or plot it does deliver heavily in this department. Bale's performance is a nice subtle slow burn that builds nicely as he becomes reconnected with a world he never knew existed. If only this had been touched upon more, especially towards the films climax where it seems the "thinking" aspect of the film was tossed out the window in favor of body count. The film has already garnered quite the cult following and it leaves one to ponder just how much more well recieved it may have been if it had been released prior to the massive flooding of the market with films of the science fiction/action genre' or if it would have even existed in the first place without such an oversaturation. All and all it is an uneven tone that makes EQUILIBRIUM feel just a bit off balance. "<br><br>J-La <br><br><br> <p></p><i></i>
